'Revolution': Initial Reaction

This new 'Lost' imitator is a little more promising than past 'Lost' imitators.  However, 'Revolution's first hour makes it abundantly clear that network executives still don't truly understand why the island-set mystery ever worked in the first place.

I write this knowing perfectly well that J.J. Abrams has a producer credit for Revolution--a producer credit that really serves more as an endorsement for the show.  Abrams neither wrote nor directed the pilot of Revolution.  Compare that with Lost, where he both co-wrote and directed the pilot and then played a key role in setting up the first hints at a larger mythology.   Now, Revolution was written by Eric Kripke (Supernatural) and directed by Jon Favreau (Iron Man).  Two men who are definitely capable of creating an intriguing television show about a world that exists without electricity.  It just seems doubtful that the suits at NBC will allow Kripke and his writers make such a version of the show.

'Bates Motel' Casting and 'Community' minus Donald Glover?

'Bates Motel"

Freddie Highmore (Charlie and the Chocolate Factory) has been cast as a young Norman Bates in A&E's upcoming Bates Motel.  Max Theriot (Kit Kitterage: An American Girl) has also been cast as Norman's older brother, Dylan.  For those failing to remember an older brother from Hitchcock's Psycho, Dylan is a new character developed for this series.  Vera Farmiga was cast as Norman's mother, Norma, a few weeks ago.  A&E also released this new poster to The Hollywood Reporter.

Source: The Hollywood Reporter

'Community'

Donal Glover (Troy from NBC's Community) is developing a new comedy at NBC. The potential pilot could be made for the 2013-2014 season and would see Glover in the lead role if it got picked up to series.  Community, which has already lost creator Dan Harmon, wouldn't be the same if it continued into a fifth season minus Troy.  Almost seems like NBC and Glover aren't even taking Community into consideration with the development of a new show.  Have they already accepted that the fourth season will be its last?  I hope not.

Source: TV Line

Ratings for Tuesday Night: Go On and The New Normal

'Go On ' and 'The New Normal' Off to Decent Starts

The second episode of Go On did pretty well for its regular timeslot debut.  The Matthew Perry show was seen by 9.6 million total viewers and had a 3.4 rating in the 18-49 demo.  It appears that the post-Olympics preview was a wise strategy for this show.  For now, anyway. 

The New Normal didn't fare as in its second episode.  It had 7.0 million total viewers and a 2.5 rating among viewers aged 18-49.  Pretty much the same as ratings as the Monday night premiere.

For more details on Nielsen Ratings on these and other network programs from Tuesday nights see TVbytheNumbers.

'Go On': Initial Reaction

Go On (Tuesdays @ 9:00 pm NBC)

Matthew Perry hasn't been the luckiest of actors since Friends ended nearly a decade ago.  He starred in the NBC drama Studio 60 On the Sunset Strip in 2006.  That Aaron Sorkin produced show only last for one season.  A couple of years ago he starred in ABC's Mr. Sunshine.  That half-hour comedy only lasted for 13 episodes.  For the 2012-13 TV season NBC and Matthew Perry are making one more attempt at bringing back that old Friends magic with the group therapy comedy Go On.

Like The New Normal that aired after it, NBC had already previewed the Go On pilot prior to the official Tuesday night premiere.  The preview of the pilot was first broadcast in a post-Olympics spot on August 8th.  The show attained a robust sample viewing audience of over 15 million viewers.  The pilot was re-broadcast on Monday night.  After seeing the first episode, I was willing to give the show another shot.   It will be interesting to find out how many people decided to do the same (the ratings for last night will be posted this afternoon).

'The New Normal': Initial Reaction

The New Normal (Tuesdays @ 9:30 NBC)

First off, I didn't pay close attention to NBC's schedule of its new series. The New Normal's pilot actually aired on Monday after The Voice.  Tuesday had NBC broadcasting the second episode, called "Sofa's Choice," in the show's regular Tuesday night time slot.  Fortunately, it is easier to write a review (or reaction) to a show when you have seen more than one installment.  Unfortunately, I think two episodes of The New Normal may have been two too many.

A Soft Start for Fall Begins Today

A Couple of Networks Get the Fall Season Going

Returning Shows

The Voice--Season 3 (NBC) @8pm.  Premiered Monday.  Continues on Tuesday.
Parenthood--Season 4 (NBC) @10pm

Sons of Anarchy--Season 5 (FX)10pm

I didn't include any of these shows in the partial calendar I posted a few weeks ago.  That's because I've never watched them.  I will never watch The Voice out of principle.  On the other hand, I've heard good things about Parenthood and Sons of Anarchy in the past.  Both those shows are available on Netflix. So the opportunity to sample those two dramas is always there.

Fall is Here: Time for New and Returning Shows

 What to Expect from this Blog in the Coming Weeks

The best time of year for TV fans is almost here.  The traditional launch of a new TV season usually begins in Autumn.  This mean the old Networks are going to be launching a whole new slate of programs, most of which will be cancelled before the mid-season break.  Fortunately, there are plenty of cable favorites that are returning as well including Homeland, The Walking Dead, Boardwalk Empire, and Dexter for those who still care (I'm looking at you brother Jimmy).  Sorry, Mad Men won't be back until next Spring.  I won't be writing up on all these shows.  After all, according to Entertainment Weekly's cover of their Fall Preview issue, there will be 104 shows this fall.  104!! Too many for one man.  But based off what I've read from some critics and my own personal taste, there are definitely a fair number of new shows that I will be writing about in the coming weeks.  After the jump, a truncated calendar of key premiere dates.

"Community" and the Case of an Axed Showrunner

 Mad Men, Breaking Bad, and Lost.  Three shows that I couldn't imagine existing without their original creators.  What about Community?

Yesterday I posted about the possibility that the upcoming fourth season of Community may be its last.  I also mentioned that show has already lost the talents of Dan Harmon, the creator and showrunner, due to problems with the studio (Sony), network (NBC), and its most well known stars (Chevy Chase).

The NBC comedy's new showrunners are former Happy Endings writers David Guarascio and Moses Port.  It's not unusual for a television show to change showrunners during the course of its run.  Most long running police procedurals like CSI and Law and Order switched showrunners multiple times.  However, there are certain shows that are dependent on the voices of their original creators.  The West Wing wasn't the same without Aaron Sorkin.  Gilmore Girls moved on without Amy Sherman-Palladino for its seventh and final season.  Fans of both those show were displeased with what they saw and heard on the screen after those writers left.  Those writers had unique styles and visions which were impossible to replicate.  Dan Harmon also has a writing style, vision, and (more importantly) passion for his creation that the new showrunners couldn't possibly possess.  So as soon as the news broke about Harmon being fired, critics and fans alike began to ask if no Community at all may be preferable to a Harmon-less Community.

NBC's Future: Comedy Night, Done Right?

30 Rock and The Office are Closing.  More to Follow?

For over two decades, Thursday nights on NBC was the place for "Must See TV."  Some of the most popular sitcoms in history made their home from the 8-10pm time period.  "The Cosby Show" and "Cheers" got the ball rolling in the '80s.  "Frasier" and "Friends" led a still thriving NBC into the 21st century.  Those four shows, along with "Seinfeld" and many others, garnered mass audiences for a reason.  The were broad.  People of all demographics could relate to the stories that were being told week after week.  I was barely a teenager when I first started watching reruns of "Frasier" and "Friends" and I never had a hard time understanding most of what was happening.  Sure, there was some minor adult humor that may have went over my head but those jokes didn't exclude someone of my demo from enjoying the show.